By Anote Ajeluorou
MANY musical concerts have been serenading all over cities across
Nigeria to herald this year’s Christmas. And audiences are being enchanted by
the magic of the season as they celebrate in honour of the Saviour Jesus
Christ. One such yearly concert is Ajumogobia Science Foundation concert that
clocked 10 and was celebrated last Tuesday at MUSON Centre, Onikan, Lagos.
Sadly, hints of resting the concert for logistics reasons trailed what has
become a concert to look forward to in the city’s classical and Afro-centric
music tradition.
As Mr. Soboma
Ajumogobia noted, the Ajumogobia clan is now so far-flung around the world that
gathering them together for a yearly concert presents a peculiar challenge of
its own. A sizeable number of them were absent on account of travel-related
issues. Perhaps, he stated, the grandchildren will have to grow up fast to pick
up the concert trail from where the pioneers are now constrained to leave it
off.
Nevertheless, this
year’s concert, like the others before it, was a perfect way to get the
audience in a ready mood for the Christmas. Held as a fundraiser for the
Ajumogobia Science Foundation (ASF) to support the work of Science Teachers
Association of Nigeria (STAN) to further the vision of the late head of the Ajumogobia
clan in deepening the country’s science and technological quest, the concert
has been a success story since inception. And, Tuesday night was no exception
to a sterling night of performances moderated by Mr. Yinka Akinkugbe, another
music family.
Kaline’s ‘Bring them
home’ by Green Wood Band consisting of drums, saxophone, horn and piano kicked
off the show before Dr. Emi Renner, on the grand piano with Julius Nglass on
tenor, rendered ‘It Came upon a Midnight Clear’. It had Nglass’ marvelous tenor
soaring deep into the night. It was also sung in remembrance of the senior
Ajumogobia clan who started it all. This was followed by Yinka Akinkugbe’s
rendering of ‘Santa Claus is Comin’ to Town’ in a jazzy, bluesy feel
reminiscent of the negro spirituals of Harlem.
Then Feni Ajumogobia,
a lawyer who came in from the U.K., took to the grand piano to perform ‘Widmung,
S. 566’ by Franz Liszt and Robert Schumann. He played the piano with a warm virtuoso,
with the notes rising and falling in equal cadences. He earned the admiration
of the audience that warmly applauded him.
Boluwatide Osinowo
rendered ‘I look to you’ with Nimi Akinkugbe on the piano while Awune and Toki
Ajumogobia did ‘Mary, Did you know’ admirably and complete with a young, female
ballet dancer who wooed the audience with her elfin, thin-ice, expressive dance
steps. Dolapo Akinkugbe performed ‘Prelude to C minor’ by Sergei Rachmaninoff rendered
in fast-paced, light notes.
This was followed by
Soboma Ajumogobia performing ‘I’ll Make It Up As I Go’, in the accompaniment of
Girls Rule Band consisting of sax, horns, drums, bass and regular guitars and
piano. It was a moving performance made all the more charming by an all-female
essemble. Another charming performance, ‘Christmas Medley’ by Philip Uzo on
guitar and Chioma Dimiri on flute followed before the Steve Rhodes-Nash-led Orchestra
led by Gloria Rhodes performed ‘I love the Lord.’ All through Merry Makers
Choir was on hand and it made all the difference with its backup performance.
But by far the most
innovative of the performances was Bobby Benson’s ‘Taxi driver’ rearranged for
two pianos by Seun Awoaje; it had Nimi Akinkugbe and Ibiai Ani on pianos one
and two. The introduction of pianos and horns added something special to the
performance and transformed the music from its regular highlife standard and
gave it a jazzy, pleasing feel. Both the pianos and horns lengthened and
stretched the central theme of taxi driver. A male and female ballet dancers
also gave the music another, exquisite feel. The proper rearrangement of ‘Taxi
driver’ gave indication of the infinite possibilities inherent in any piece of
music composition if given the expert, professional touch.
Bez’s ‘There’s a Fire’ introduced a funk-paced
rhythm to the concert. It was vintage Bez on his guitar alongside a drummer
that told the story of a fire that water cannot quench. His performance
signaled the interval to the concert as well.
WELCOMING the audience back from the break was Tunde Sosan
on the piano until ‘I’ll give Him My Heart’ performed by four children – two
girls, two boys. Their story was unique and moving, as it awakened the audience
members to the many ways they, too, could praise and worship God through their
diverse talents. The youngest of the girls (about six years old) showed her
dexterity on the piano to stun the audience; it was her way of giving praise to
God until the two boys joined in, with the little one giving his heart in
praise of his maker.
A procession of other youngsters, clad in
white and bearing candles, came to also lend a halloo to the performance. It
was an emotional performance complete with all the innocence of children
seeping through to challenge probable adult laziness. It was followed by ‘O
Come, All ye faithful’ that had the audience singing along.
With Nimi Akinkugbe
on the piano, Yinka Davies took ‘O Holy Night’ to the audience and made a few
members sing it, with some croaking it. It energised the audience in its sheer
hilarity and novelty. Thereafter, the duo of Dein and Awuneba Ajumogobia,
husband and wife, intensified the concert offering, as they sang ‘Holy is the
Lamb,’ with Dein on the piano. It was sheer spectacle watching the pair
perform.
Then svelt Kaline
(Akinkugbe), with her fluffy mane that framed her petite face, came from among
the audience and sang ‘Have Yourself a Merry Little Christmas’ up to the dais. Thereafter
she sat down to the piano and performed her now famous track ‘Bring them home’
in honour and solidarity with the kidnapped Chibok schoolgirls. With the song,
she said, she wished to raise awareness about the plight of the girls to the
wider world so they are not forgotten. Described as having “a fresh, bold,
soulful, funky sound, she writes with purpose in the hope of empowering anyone
that listens to her music,” Kaline’s music has power to move listeners to deep
wells of emotions.
With ‘Amin Jesu Olugbala’ and ‘Me, I Love My
Country’ by Wole Soyinka, rendered by the Merrymaker Choir in African
traditional notes. It came with youngsters also displaying various Nigerian
ethnic dances. Also, the ASF divas, Yinka Davies, Faith Igwe and Kaline
performed ‘Silver Bells’ and ‘Little Drummer Boy’ before Kenneth Ogbeiwi did ‘Gbo Ohun,’ with the audience singing
along. ‘O happy Day’ also had the audience singing along in participatory,
jolly mood.
Soboma Ajumogobia gave
the vote of thanks before all the performers came on stage to perform ‘All You
Need Is Love,’ as a fitting finale to an evening of enchanting performance.
They then bowed out after what was, unarguably, a memorable concert that will
trend for a long time.
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