By Anote Ajeluorou
Precisely 12 days from
today, the Advisory Board for The Nigerian Prize for Literature will announce
the winner of 2013 edition of the prize in the poetry category. Here, two of
the poets in the race to the prize worth $100,000 spoke about their hopes and
expectations and how to make prize systems more rewarding for writers and
sponsors alike. Dr. Ogochukwu Promise is an award-winning
writer. Prose, poetry and painting are areas where she has incomparable skills.
She is the founder of Lumina Foundation, which organisers the biennial Wole
Soyinka Prize for Literature in Africa. Her poetry collection for the prize is Wild Letters. Tade Ipadeola is Ibadan-based lawyer, an ward-winning poet,
essayist and is President, PEN Centre Nigeria. His book in the race is The Sahara Testament.
The third poet in the shortlist is Amu Nnadi (Through the
Window of a Sandcastle)
How do you feel being on the shortlist of three?
I feel
good. Happy.
In what ways do you think your poetry reflects, addresses current
concerns?
I
think this question can best be answered by my readers. But what I try to do
through my poetry is to draw attention to things that shouldn’t be overlooked,
especially if viewing them from varied perspectives might add value to people’s
lives. I would be delighted if my poetry offers alternative destinies, bandages
wounds, accelerates healing and upholds happiness.
You see, over here and around the world,
things have gone quite awry. So many things have moved far, far away from the
ideal. When you think of all the things that plague us, all the astounding
political issues that weigh us down, our own depravity at various levels, and
the fact that there seems to be no end in sight, it bothers us all, right? What
to do? It is not as if people are not worrying about it all, or how to fix
things. But sometimes one doesn’t even know where to start. There are many who
find it all rather overwhelming and wonder indeed how to go about reordering
things.
What I tried to do in this particular
collection, Wild Letters,
is to try and identify the good in us, the God in us. I feel that what is
necessary is an attitudinal change. If we use the GOOD in us, the God in
us, the BIGGER Man in us, that GOODNESS in us, in whatever we do in life, in
our relationship with other people, in caring for the welfare of others; if we
use that GOODNESS in us wisely, we just might be able to change the situation.
You see, it is difficult to be truly selfless, to choose to do RIGHT over
WRONG, to UNAPOLOGETICALLY GIVE CARE, to truly LOVE in its finest quality.
Yes, it is tough, but it is achievable, if we consistently and happily give it
a good shot.
You asked Diaspora poets and other Nigerians abroad at the Book Party
to return home and join the rebuilding. Does this shortlist mean a vindication
of your representation to those writers abroad?
I
was taking the opportunity to encourage them to explore new ground and look
beyond the obvious challenges. That way even our difficult circumstances become
vibrant material for creative work. True vindication comes from a strong
thriving industry rather than the recognition of one or two significant
authors.
As a literature prize organiser yourself, with Etisalat also joining
the prize fray for writers on the continent, do you feel a sense of
fulfillment? Are our writers getting the best deal for their writing?
Fulfillment
assumes the journey is over. The journey is not yet over; I am still growing as
an artist. I am not yet fulfilled.
It is heart-warming to realize that corporate
bodies in Nigeria are supporting the arts as it is done in the Western world.
Definitely, the more support given to the arts, the more exposed the abundant
talents we have here will be.
Some persons would be surprised that as a prize-organiser, you also
entered for The Nigeria Prize for Literature. Did it give you headache deciding
whether it was appropriate or not?
As
someone who organises awards to recognise writing talents, I feel it is
actually appropriate if I facilitate the evaluation of others, to put myself
under the same lenses alongside my peers and colleagues. It is a validation of
the merit behind every creative work that requires he who seeks to judge, be
open to judgment.
What are your hopes and fears as the countdown begins to October 9,
when the winner will be announced?
Cautious
anticipation!
In what better ways perhaps can literary prize systems on the national
and continental levels be made stronger to better serve the interests of
writers?
I think they should establish support and
recognition for industrial areas of writing. You know, establish industrial
awards for practitioners in literature, venture capital, publishing and
licensing. These will go a long way to helping writers realise their
dreams.
Asence of infrastructure still constitutes a problem on the local and
African levels, with books not moving across easily. What can prize-organisers
do either singularly or collectively in this regard? Is there possibility of
collaboration among prize-organisers both local and continent-wide?
You
know, I think that one of the best ways to go would be to virtualize the
distribution of books, explore markets to e-books and in fact collaboration is
the right way to make this work because it is not possible to do it
individually.
What might you do your money
when you win it?
Something that will give me great
pride and satisfaction.
No comments:
Post a Comment