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‘Nigeria full of talent but lacks structures to harness them’
When
Maria Cecilia Toledo-Schmidt left Nigeria a little over a year ago, Abuja
felt the impact of her absence. This is because in the few years she spent in
the federal capital city as wife of then German Ambassador to Nigeria, she
served as the founder and director of the news-making Abuja Metropolitan Music
Society, with its two choirs – AMEMUSO for adults and AMEMUSITO for children.
She had also set up the Maria Cecilia Foundation, which is poised to build the
first Art centre in Abuja to be known as AMEMUSO Performing Arts Centre&
Music School for Children. Towards achieving this, Toledo — who now lives in
Peru, where her husband currently serves as an envoy — is back in her beloved
city of Abuja, where she will stage her annual concert this Saturday, December
1, from 7.00pm at the Transcorp Hilton Hotel. She has brought to town two-time
Grammy Award winner and Peru’s former Minister of Culture, Mrs. Susana Baca, an
opera singer, partly to help raise funds for the art centre and to honour
Africa’s great music tradition and legacy to the world. She spoke to ANOTE
AJELUOROU
in Abuja during an encounter last week:
SHE
came as a housewife to an Ambassador; but she could not restrain her talent as
a singer from coming to the surface. Then she fell in love with the country,
especially when she saw the abundance of musical talents in almost every
corner. What to do? She rolled up her sleeves and set to work, to transform an
apparently sterile, cultureless city into an oasis of classical music that
draws from Africa’s traditional musical legacy.
This is the story of Maria Cecilia Toledo-Schmidt, an opera singer of Chilean
origin:
“I
came to your country and started to teach the people to sing. There were no
opera singers in Abuja. One thing led to another and we created the society and
Opera Abuja was taking place and the choir was founded. It became a big dream
for many people. Every year we have a different theme for the Opera Abuja. This
is the sixth version of the Opera Abuja and we’re very proud of it. Every year
we did something different; some years, we put up musical; other years, we put
up opera.
“Always,
we’re honouring the African culture. If it wasn’t a musical, it was opera, and
we adapted it to the African culture. If it was opera, we tell an African
story. Even the ‘Sound of Music’ was represented in an African style; we changed
the name; we did something cool with it. Everybody felt good that something
like this was happening here in Abuja, in Nigeria. We presented the African
music as very beautiful, sort of occidental.
“Well,
I wouldn’t say occidental, really; but also completely native because your
music is extremely beautiful, and this could be seen all over the world. Music
is music; it’s either good or bad. But your music is very good! That’s why in
the Opera Abuja you don’t know where the classics end and the African music
starts; there is marvelous crossover”, she said.
The personable artiste continued, “The concert we’re putting up this year is
the highlight of all these years we’ve been having Opera Abuja; we’ve never
done something like this before. When I went to Peru I was very sad even if
it’s a very beautiful country and I’m with my husband that I love very much;
the bad thing was that I was so sad that I was leaving Nigeria. I so much
believe in your country even if I’m not black or dark. I feel completely at
home here; so, I was very sad. It’s a year that my husband got posted to Peru,
but I keep coming to Nigeria, to Abuja.
“Since last year, I’ve been coming alone now to work towards Opera Abuja. This
year’s Opera Abuja show comes up on December 1. And I’m working crazy to see
things out — teaching, arranging, doing paper work and all that. I’m working 24
hours a day to see things through. So, this year is even bigger because of what
we will do. But somebody told me that the Minister of Culture in Peru at that
time is black, an Afro-Peruvian and she is a singer, and I told them ‘no way’.
“When we got to know each other, she told me she was a two-time Grammy Award
winner! Mrs. Susana Baca is a very nice lady; and when we got to know each
other better, I told her what I was trying to do in Nigeria, then she got crazy
because she has been fighting for the rights of black people in South America,
and this was our common ground; and then we started working together.
“These are like five or six generations of Africans taken away as slaves and
they don’t know where they come from. And, for them, for her, the first thing
is to come to honour your country.
“It’s a giant thing because for somebody like her to come is a big honour, a
great honour. She is coming with her musicians, her manager, and her husband;
she is also coming with a world-class tenor singer as well, but he’s not
African, but a Peruvian, who is living in Germany.
“With her coming, we will be honouring African legacy in music around the
world. So, from the opera you’ll see the salsa, to all the Afro-Latinate music;
and not many people know that all these music come from Africa.
“In
the next Opera Abuja on December 1, you will see how the African music blends
with every kind of music and its influence has been so important to the rest of
the world. From salsa, to merenge to cumbia, everything has to do with African
music. But not many people know this. But don’t think you’re coming to see only
salsa or South American music; you will see something that is completely
blended in a beautiful, elegant way; you’ll sometimes feel the need to cry, and
sometimes the need to dance; just come and see.
“It’s
a historical moment for African music and very emotional moment especially for
me and for Susanne. Susanne Barker is a big lady in terms of art, gentleness,
elegance and modesty.
“My motivation for all this? Take the other day, for instance, when I went to
teach them (members of AMEMUSO)… any time I see them singing and when I see
their faces and I see the talent that they have and the commitment and the
efforts they’re making to make it work, and their belief – and encouragement
from their friends, their families – especially their talent, which, sorry to
say, is being wasted, it breaks my heart. In other parts of the world, those
children ought to have a school to develop their talent.
“Even if you’re concentrating your attention on money — and money is not a bad
thing in life —but you could make more money around the world with the talent
in these children in theatres. The problem in Nigeria is that you don’t have a
proper structure to make things work; this is what I’ve been fighting,
particularly to build a proper Theatre here in the Federal Capital Territory,
Abuja.
“Already, I’ve got the land and I’m getting a proper design for it so we can
have the right acoustics; you need to make it to international standards. So,
there will be a school for the children to learn and for them to be able to go
abroad to develop.
“My
driving force is to see that this talent is developed and not wasted. To build
a bank in your country, you need six months but to build a Theatre, it has
taken me seven years. We have to get together; the private enterprises should
be part of this dream.
“I have never seen a more talented country than your own; never in my entire
life! Not in South America, not in Europe; just in Nigeria. But nobody, well,
not nobody, sorry to say; but not too many people are taking it serious or have
interest in developing this huge talent. It’s very bad. These children believe
in one oyinbo
that is leaving her family to come and stay in your country for one month to do
things. When you see their belief, their faith, it breaks my heart. One
Nigerian lady friend of mine who came to see them singing was crying like a baby
at what she saw.
“I’ve spent seven years trying to build this Theatre because I really love your
country.
“Although we’ve had some support from Federal Road Safety Commission, Transcorp
Hilton Hotel, Abuja and even the Presidency, what we need is big corporation
coming to help build the Theatre. Like Nollywood, through the theatre,
we’ll create employment, give the children a place to study; you will have
something beautiful and a great entertainment place in Abuja, and also make
money for the country. But for some reason, a golf club or a bank seems all too
attractive for those who have the money to invest. We have to convince the
people that this is not charity; it will bring a lot of money to the country,
and Abuja will begin to attract people culturally and they will come here to do
business and to recreate.
“This is what I’m trying to say, I love Abuja; and I also love Lagos. But I
love Abuja more; it’s a wonderful city. I call the children’s choir ABUJITA,
meaning sweet Abuja, like a lady that is beautifully dressed and waiting for
the first lover to take her to a dance, you know. I really love Abuja. Let’s
hope that all this effort of bringing Susanne here with her generosity pays
off; she is coming pro bono – free. I don’t sleep, you know; I just hope
that somebody comes out to help. Without the Hilton Hotel we would not have
been able to do anything from the beginning of the project. I have them to
thank for the success we’ve recorded so far; I’m proud of them. I’m proud of a
lot of friendship here.”
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